Welcome to album number two for The Cure. After the short and sharp post-punk of Three Imaginary Boys, this record is quite a dynamic leap in the dismally grand direction the band is renowned for. Seventeen Seconds is the first of what many fans consider a great trilogy (the Dark Trilogy) of goth records. This LP is more reflective than goth, and the theme seems to be quiet moments alone rather than threnodies to gloom and eschatology. If threnodies are your thing, then their next album Faith fits that bill nicely.

Fittingly for a reflective record, the first track is called A Reflection, an oddly unsettling instrumental piece that leads into the slightly churning Play For Today, which was released as a single. The instrumentation is pleasingly sparse with nothing truly blurring or obscuring anything else. Despite the simple arrangements, there’s plenty of atmosphere and mystery with each track, especially on the patently weird Three and the approaching sinister At Night.

The strangest it gets on the record is the standout single A Forest, which doesn’t so much sound like being in a forest than it does being stranded on some stark, alien landscape. Somewhat fittingly, I was reading Jack Vance‘s Planet of Adventure foursome when I first heard this song, specifically the bit in The Dirdir where Adam Reith and his companions are being hunted in the Carabas. So I’ve always equated the song, magnificent as it is, with a faraway strange place.

A quiet, moody record for quiet, moody times.

seventeen seconds lp cover