As with the review I did in December, “new” means new to my ears, not the dictionary definition. With that established, let us move on…
First up was Queen of the Stone Age‘s …Like Clockwork. I’m not a fan of bluesy hard rock and this record didn’t grab me in any way or shape on first listen and that dissuaded me enough from a second listen. It’s a bit like the Them Crooked Vultures record I listened to in the previous review (same lead singer) and though I’m absolutely sure this kind of music has its fans and adherents, I’m not one of them. Anyhow, Led Zeppelin did this sort of thing better, let’s face it.
We come to St Etienne‘s Sound of Water. I’m still struggling to recount what it is I exactly heard on this record. At times it reminded me of Missing Persons running headlong into Madonna but in the main, the music kind of just drifted by. Not something I’d want to listen to again. Not my cup of chai – the beeps and bleeps were all wrong.
Lastly, we have Sarah Blasko and her What the Sea Wants, the Sea Will Have record. This one kind of drifted by as well with nothing I recall standing out. Alternative rock/singer-songwriter or something like that is what the press and fans label this kind of music.
So, three records of material that isn’t my bailiwick, That happens.
Also gave a whirl to Peter Gabriel‘s third self-titled record (“Melt”), Nazareth‘s greatest hits, Midnight Oil‘s 10,9,8,7,6,5,4,3,2,1 and The Clash‘s London Calling. Apart from the Nazareth record, I’ve listened to the others before, wholly or partially. I’m still not sold on London Calling being the epic work the world says it is. Maybe I didn’t get the memo.
Anyhow, that’s that for January.