Some artists are defined forever by their first records. E.g soft rock star Christopher Cross and his debut in 1980. Essentially everything else Cross has ever released has been ignored and not charted. In fact, it’s probably a case of Cross who?
Thankfully, The Church didn’t suffer Cross Syndrome and have gone on to release many superb records, a few of which charted better than this stellar debut effort.
It’d be near impossible to define The Church by any record as each one thrives on its individual, internal logic. Of Skins and Heart is no different. It is a far rougher and rawer record than anything they’ve released subsequently, especially the reflective and atmospheric The Blurred Crusade which came next. Even slow and ponderous tracks like Don’t Open The Door To Strangers have a tumbledown spontaneity.
This record is harder edged and generally rockier than anything that comes after it in The Church‘s oeuvre. In fact, the first four songs on this record thunder along like nothing they have ever done again. When we get to Bel Air, affairs slow down a touch, but a marvellous melody takes over. And on She Never Said, The Church does its best New Wave thing – a genre they never really visited again.
Later releases have included the British Invasion sounding Too Fast For You, the dreamy Tear It All Away and the trippy Sisters, all of which were originally released on an EP with the songs Fraulein and You’ve Got To Go. And why this record never included the wicked, surging Bus Driver is one of life’s ineffable mysteries.
Also, this is one of the few albums to grab me on first listen.